With a memorable tune and uplifiting lyrics this modern hymn by Keith Getty and Stuart Townend will be embraced by your choir and congregation alike.(NOTE: TTBB does not match ChoirTrax CD or Orchestra.) Duration: ca. 3:40.

A new arrangement for two-part treble choir this setting employs orchestral accompaniment and will provide a very different performing experience for young treble voices. Available separately: SATB SA Chamber Orchestra(print). Duration: 2:30.

The time is the early 1840’s. The place is the shop of Sweeney Todd the barber where many more customers go in than ever come out! This is a fun piece for schools and contains some amusing lyrics set to catchy tunes. It may be performed quite simply as written or the score here may be used as the basis for something more elaborate involving scenery costumes and props. or it can be done in any…

Canticle Of St. Auguine

SATB-Anne Herring's Easter Anthem for SATB choir. Vocal score.The hand-written Orchestration contains a Conductors Score and parts for: Flute Oboe Clarinet Trumpet 1 & 2 Trumpet 3 Horn 1 & 2 Horn 3 Trombone 1 & 2 Tuba Percussion (orchestra bells timpani) Rhythm Harp Violin 1 Violin 2 Viola Cello and Bass.

This holiday ballad from the Carpenters is perfect for developing string ensembles with an easy moving pop style and approachable melody all in a well-crafted version by Larry Moore.

Conley - Grade 3

George Butterworth was born in London on July 12th 1885 to a well-to-do family. Eton School was followed by university at Trinity College Oxford where he met Vaughan Williams and Cecil Sharp. He taught for a while at Radley studied for a short time at the Royal College of Music then concentrated more or less full time on collecting folk songs sometimes with Vaughan Williams. When the First Wo…

Overture-Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Par MARTINU BOHUSLAV. Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his experimentation with sound and form. It is from this period that four short serenades also originate (1932), each with a different instrumentation. The serenades were issued by the Pr…