| Real Book 2D Edition Vol.2 Instruments en Do [Fake Book] Hal Leonard
Le livre réel est extrêmement précis, soignée et vise avant tout, pour un usage pratique. Cette deuxième édition nouvelle contient tunes qui sont réarrange et re-transcribed afin que vous pouvez étudier et jouer ces oeuvres avec précision. / Instruments En Do
30.20 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur |
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| Fake Book 1963-1971 (ROLLING STONES THE) Fake Book Alfred Publishing
Par ROLLING STONES THE. Enfin le Fake Book du célèbre groupe 'The Rolling Stones'. Superbe ouvrage qui regroupe 167 chansons du groupe enregistrées entre 1963 et 1971. Ligne mélodique, symboles d'accords et paroles complètes. Inclus des photos en couleur. / Rép International / Recueil / Chant et Guitare
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| Ceilidh Dance Book (ALLISON KEVIN) Mandoline et Violon Mel Bay
Par ALLISON KEVIN. While one of a kind is a hard rating to achieve at Mel Bay Publications, Kevin Allison has done it with The Ceilidh Dance Book. A ceilidh is a traditional Scottish gathering where people share songs, stories, music, and dancing that is very much alive today. In Scotland, there are hundreds of ceilidh bands, each of which has their own trademark tune sets, making it possible for …
28.80 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur |
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| Form and Postlude (LASH HANNAH) Flûte Traversière, Clarinette, Harpe et Quatuor à [Conducteur et Parties séparées] Schott Helicon Music Corporation
For Flute, Clarinet In Bb, Harp, and String Quartet. Par LASH HANNAH. Form and Postlude is a piece in one continuous movement but with a distinct postlude which ends the work. I play throughout with the idea of pacing on many levels: the largest level is the idea of proportion of sections to one another, then harmonic rhythm (in the broad sense), then harmonic rhythm on a more local level, and of …
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| Chansons de Verlaine (CASKEN JOHN) Voix Soprano, Piano Schott
for soprano and piano. Par CASKEN JOHN. Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three.
All three were also set by Debussy: L’…
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| The Trombone In The Attic Trombone [Partition + CD] Carl Fischer
A curious child climbs up to the attic and discovers a jumble of boxes, trunks, old clothes, and dusty junk. There, a black leather case catches her eye. She pries it open and finds inside an old Trombone - her grandmother's from high school. Sitting on the floor, she works the tarnished slide free and twists the mouthpiece. As she blows through it, the Trombone becomes alive with music. To her de…
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| The Violin In The Attic Violon [Partition + CD] Carl Fischer
A curious child climbs up to the attic and discovers a jumble of boxes, trunks, old clothes, and dusty junk. There, a black leather case catches her eye. She pries it open and finds inside an old Violin - her grandmother's from high school. Sitting on the floor, she tunes the strings and tightens the bow. As she draws the bow across the strings, the Violin becomes alive with music. To her delight,…
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| The Trumpet In The Attic Trompette [Partition + CD] Carl Fischer
A curious child climbs up to the attic and discovers a jumble of boxes, trunks, old clothes, and dusty junk. There, a black leather case catches her eye. She pries it open and finds inside an old Trumpet - her grandmother's from high school. Sitting on the floor, she taps on the tarnished keys and twists the mouthpiece. As she blows through it, the Trumpet becomes alive with music. To her delight,…
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| Serenade no. 3 H 218 (MARTINU BOHUSLAV) Hautbois, Clarinette, 4 Violons et Violoncelle Barenreiter
Par MARTINU BOHUSLAV. Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his experimentation with sound and form. It is from this period that four short serenades also originate (1932), each with a different instrumentation. The serenades were issued by the Pr…
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| Serenade no. 3 H 218 (MARTINU BOHUSLAV) Hautbois, Clarinette, 4 Violons et Violoncelle [Set de Parties séparées] Barenreiter
Par MARTINU BOHUSLAV. Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his experimentation with sound and form. It is from this period that four short serenades also originate (1932), each with a different instrumentation. The serenades were issued by the Pr…
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| Second Piano Trio (WUORINEN CHARLES) Piano Trio: piano, violon, violoncelle Peters
Par WUORINEN CHARLES. Charles Wuorinen\'s Second Piano Trio was found on his desk at the time of his passing in March 2020. A single, nine-minute movement, it is characterized by a complex, lively rhythmic interplay between the three instruments, in particular a wittily repeated figure of sixteenth-note quintuplets. Upon reviewing Wuorinen\'s third and final draft for this piece posthumously, thre…
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| Symphonic Fm Vol.6 : Professeur (DRUMM SIEGFRIED / ALEXANDRE JEAN FRANCOIS) Formation musicale - Solfège [Livre du professeur] Combre
Par DRUMM SIEGFRIED / ALEXANDRE JEAN FRANCOIS. Musical Training in the Orchestra
The authors have devised - with help from instrumental teachers - a method that is a tool both lively and amusing for children, and as precise as possible for teachers, while letting them teach according to their personal musical style.
Some of the advantages of musical training in the orchestra:
- a much clearer an…
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