Eight carefully crafted mini-compositions that begin with simple time signatures and rhythms and work up to mixed meters and complex rhythms. The exercises are musically rewarding and fun to play and will give your students the practice they need to develop rhythmic accuracy.

Par PART ARVO. Chad Smith, Artistic Director of the Los Angeles Philharmonic, has long nurtured the desire to commission a new work by Arvo Pärt. When the Los Angeles Philharmonic submitted this idea to Arvo Pärt in February 2007, the suggestion came at precisely the right moment. Pärt was working at that time with an ancient canon in Church Slavonic containing a prayer to a guardian angel - the c…

Par HEROUX MICHEL. In musical styles ranging from blues to classical, jazz and modern Latin, the 32 original duets in this book are designed to improve sight reading on the guitar at all levels, beginner to advanced. Canadian guitarist and music educator, Michel Héroux suggests playing these short but complete pieces at different tempos, exchanging parts on repeats, playing select passages an octa…

Developing choirs will love this joyful concert and festival work. Marked energy develops with dynamic contrast and vocal style with a supportive piano accompaniment. Multiple meters are dappled throughout accentuating the text and the rhythmic claps will add a spark to the learning and performance! A wonderful selection for contest too! Developing choirs will love this joyful concert and fest…

Claude Smith's contemporary approach to teaching technique tone and style is written in a variety of keys and meters and is divided into three sections: I. Scale Studies II. Etudes III. Chorale Studies. The etudes and choralesare in progressive order of difficulty so bands of all levels can find appropriate starting places and progress from there. It's the perfect way to begin every rehearsal.

Claude Smith's contemporary approach to teaching technique tone and style is written in a variety of keys and meters and is divided into three sections: I. Scale Studies II. Etudes III. Chorale Studies. The etudes and choralesare in progressive order of difficulty so bands of all levels can find appropriate starting places and progress from there. It's the perfect way to begin every rehearsal.

Claude Smith's contemporary approach to teaching technique tone and style is written in a variety of keys and meters and is divided into three sections: I. Scale Studies II. Etudes III. Chorale Studies. The etudes and choralesare in progressive order of difficulty so bands of all levels can find appropriate starting places and progress from there. It's the perfect way to begin every rehearsal.

Claude Smith's contemporary approach to teaching technique tone and style is written in a variety of keys and meters and is divided into three sections: I. Scale Studies II. Etudes III. Chorale Studies. The etudes and choralesare in progressive order of difficulty so bands of all levels can find appropriate starting places and progress from there. It's the perfect way to begin every rehearsal.

Claude Smith's contemporary approach to teaching technique tone and style is written in a variety of keys and meters and is divided into three sections: I. Scale Studies II. Etudes III. Chorale Studies. The etudes and choralesare in progressive order of difficulty so bands of all levels can find appropriate starting places and progress from there. It's the perfect way to begin every rehearsal.

Claude Smith's contemporary approach to teaching technique tone and style is written in a variety of keys and meters and is divided into three sections: I. Scale Studies II. Etudes III. Chorale Studies. The etudes and choralesare in progressive order of difficulty so bands of all levels can find appropriate starting places and progress from there. It's the perfect way to begin every rehearsal.