Par SUK JOSEF. First scholarly-critical edition The single-movement String Quartet #2 by Josef Suk (1874-1935) was written at the height of his compositional powers. Completed in Krecovice in May 1911, this demanding work, with its complex harmonies and motivic structure, seemed avant-garde for its day: the Berlin premiere of November 1912 was accompanied by protests from the audience. Now Zdene…

for four male voices. Par BRYARS GAVIN. Glorious Hill may be performed by a male choir. Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate. Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique abilit…

Par TAYLOR JAMES. Une collection classique de 34 de succès pop de James Taylor, arrangé pour piano et chant, ce recueil de chansons a certaines des plus grandes chansons pop écrites dans les années 70./ Recueil / Piano, Chant et Guitare

Par BARGIELSKI ZBIGNIEW . After the first performance of my Fourth Quartet, in Salzburg in 1997, the artists of the excellent Hugo Wolf Quartett approached me with the appealing proposition that I write a new quartet. Rather problematic, however, proved to be the musicians’ delicate suggestion that I invest the work with elements of a more pungent expression and elements of folklore – ideally Poli…

Par PUCCINI GIACOMO. Giacomo Puccini 's Un Bel Dì Vedremo 'One Fine Day We'll See'' from Madame Butterfly. Scored for Soprano Voice and Piano in the key of F Major./ Répertoire / Chant et Piano

Theresienmesse. Par HAYDN FRANZ JOSEF. Between 1796 and 1802 Haydn composed 6 great Masses to celebrate the name day of Princess Maria Hermenegild, the wife of his patron Prince Nikolaus Esterhazy II. The Theresa Mass was the fourth of these composed in 1799 and although the title page of the score simply has the word 'Missa' the nickname Theresienmesse remains a matter for speculation, but is usu…

Version Hellmann/Glöckner. Par BACH JOHANN SEBASTIAN. This is a revised edition of Diethard Hellmann’s reconstruction of the St. Mark Passion of 1723 based on parodies. It contains a new foreword by Andreas Glöckner which deals with the present state of research on the Passion. The edition now includes all 16 chorales which have been handed down and which appear in facsimile in this edition. This …

Par CHRISTIANSEN MIKE. Numéro dix dans la collaboration de Mel Bay/Warner contient une collection de début des arrangements intermédiaire pour guitare brésilienne. Tous les morceaux inclus dans la notation standard et tablature est: ' One Note Samba ', ' méditation', ' tranquille nuits des étoiles tranquille ', ' Chega de Saudade', ' comment insensible ', ' The Girl from Ipanema', ' A Day in the L…

Arr. Philip Sparke. Par BYRD WILLIAM. The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas. The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book. Written while B…

Version Hellmann/Glöckner. Par BACH JOHANN SEBASTIAN. This is a revised edition of Diethard Hellmann’s reconstruction of the St. Mark Passion of 1723 based on parodies. It contains a new foreword by Andreas Glöckner which deals with the present state of research on the Passion. The edition now includes all 16 chorales which have been handed down and which appear in facsimile in this edition. This …