Arrangeur: Alexander L'Estrange. Rudolph!: three classic Christmas songs skilfully arranged by Alexander L'Estrange to offer a unique twist on the originals. All-time classic Rudolph, the red-nosed reindeer is offered alongside a groovy, doo-wop-inspired arrangement of Santa Claus is coming to town and a jaunty rendition of We wish you a merry Christmas! The arrangements have been carefully devise…

A New Approach to Faster Picado Scales. Par DEL MONTE ADAM. Recognized internationally for his interpretation and fluid, yet powerful flamenco and classic guitar technique, Adam del Monte reveals his practice methods and routine for achieving greater speed in executingápicadoáor rest-stroke scales.From a reasoned right-hand nail filing system to the proper mindset while practicing, Adam lays out a…

Benjamin Harlan has given this Twila Paris worship classic a neo-classical touch. A gently flowing piano accompaniment accompanies solid vocal scoring. The anthem also appropriately incorporates the hymn classic 'Crown Him with Many Crowns.' Worshipful. / Choeur Mixte (SATB)

A Matt Redman contemporary classic is creatively paired with a classic hymn with a neo-classical touch from the inimitable Joel Raney. The result is a freshly creative offering for blended worship. Optional chamber orchestration. Exceptional! / Choeur Mixte (SATB)

A Treasury Of 19Th Century Music For Classic Guitar. Par MAYES JOSEPH. This classical guitar project, for solo and duo, is presented in standard notation. The music has been selected from the vast repertoire of 19th Century parlor music from the United States and Europe. The music is presented to be performed instrumentally - however some lyrics are provided in the introductory notes. A companion …

This is a collection of 24 harp tunes arranged by Alison Kinnaird MBE. The music has been arranged in a style which is not an antiquarian attempt to recreate it as it might have sounded 200 years ago, but which reflects the living and evolving tradition of Scottish music.This collection, the first of its kind, will be of interest to players who are already familiar with their native idiom, to the …

Score Hardcover. Par MARTINU BOHUSLAV. 'To tell the truth, I'm a concerto grosso type,” Martinu wrote in 1945. Unsurprisingly, the concerto grosso is also the formal basis of both concertante compositions for four solo instruments and orchestra included in the 'Quadruple Concertos” volume. The works were written nearly twenty years apart and are quite different in style, having been inspired by va…

'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imagine how it would have sounded like if one of the baroque masters (Gabrielli, Buxtehude, Bach) had lived in our time and wanted to write a suite of dances. I thought it would probably still keep some of the conventions of the traditional form, like maybe the use of a Prelude to establish the key and the alternation of s…