Everybody knows it, and for many a player it was perhaps the first tentative attempt to coax sounds out of the piano: Chopsticks. The origin of this popular piano piece, like that of most folksongs, cannot be ultimately settled today. Legend has it that it was written by Ferdinand Loh and that the designation of the work 'F. Loh: Walzer' eventually turned into 'Flohwalzer'.But no matter who actual…

Designed for those in the early stages of studying violin, this is part of a progressive series of ten handbooks, primarily intended for candidates considering taking the London College of Music examinations in violin playing. This handbook covers all the material needed for the Grade One examination, however, even if you do not intend to take an examination, the handbook\'s appealing content of m…

Music for Clarinet in Bb, Cello and Piano. Par JOST CHRISTIAN. In this trio, as in most of his compositions, Jost has pictures and associations with true incidents, films and novels in his mind. What inspired him to write this piece was Joseph Conrad's novel 'Heart of Darkness' in which the protagonist Marlow says about the city of Brussels: 'In a few hours I arrived in a city that always make me …

Designed for those in the early intermediate stages of studying violin, this is part of a progressive series of ten handbooks, primarily intended for candidates considering taking the London College of Music examinations in violin playing. This handbook covers all the material needed for the Grade Three examination, however, even if you do not intend to take an examination, the handbook's appealin…

Designed for those in the early stages of studying violin, this is part of a progressive series of ten handbooks, primarily intended for candidates considering taking the London College of Music examinations in violin playing. This handbook covers all the material needed for the Grade Two examination, however, even if you do not intend to take an examination, the handbook's appealing content of mu…

Par COMBIER JEROME. Quelques figures président à l'écriture d'Embâcle. Je me les suis données a priori. Ce sont des accords répétés et enrichis d'un mouvement descendant souvent caché à l'intérieur, ce sont des arpèges croisés, brefs et construits sur des intervalles d'octaves, des échelles descendantes rapides, des figures rythmiques irrégulières à un tempo rapide et dans le registre grave, ce so…

/ Orgue