Les 7 pièces de ce 1er recueil s'adressent aux élèves de 1er cycle des écoles de musique et conservatoires, dont le niveau débutant. Elles se jouent sur harpe sans pédales, et sont aussi jouables sur la grande harpe. Elles sont dédiés à Hélène Breschand, Laurence Bancaud et Ghislaine Petit-Volta, de l'association Les signes de l'arc.Les 7 suivantes, sous le titre 7 préludes, sont destinées aux élè…

Paysage, dans un style épuré, aux couleurs spécifiques, n'est autre qu'un hymne à la nature, / Flûte Et Piano

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

Pedagogical in nature, these editions offer insightful interpretive suggestions, pertinent fingering, and historical and stylistic commentary.Carl Czerny's (1791-1857) popular set of Piano exercises is now available in an easy-to-read edition containing extensive performance and historical notes that guide teachers and students in the techniques that can be gleaned from each exercise. Although des…

Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio'), Bach reveals a special fondness for colourf…

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

Par PASTORE CARMINE. A Grade 1 rock anthem! It’s a perfect way to keep your beginners motivated while you drill them on that new concept called “eighth notes. ” Lots of repetition of simple eighth note figures will help your young band players enter the fascinating world of the divided beat with ease. This solid minor key rock-type piece will also help to keep your audience attentive by letting th…

Par UDOVITCH STEPHANE. Il faut commencer enfant, après c'est trop tard... Les croyances limitantes sont des idées reçues, sans fondement véritable, destinées à nous empêcher d'entreprendre en nous diminuant mentalement. - J'y arriverai jamais... Ca c'est pas pour moi... Elles ont une fonction : nous préserver de l'échec, de la déception. Ou de la réussite, et de ses conséquences... Elles ne joue…

Par SCULTHORPE PETER. 'Earth cry' is a straightforward and melodious work. Its four parts are made up of a quick ritualistic music, framed by a slower music of a supplicatory nature, and an extended coda. It owes a debt to a setting of Aboriginal poetry, The Song of Tailitnama, that was completed in 1976./ Répertoire / Conducteur

Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, i…