for String Sextett. Par MOZART WOLFGANG AMADEUS. For String Sextet (2 Violins, 2 Violas, 2 Cellos, Bass) set of parts. Mozart ’s Sinfonia Concertante for Violin and Viola, K. 364 (320d), is his only complete surviving work in this genre. He wrote it in 1779 after returning from Paris and Mannheim. For two decades it was known only in a few copyists’ manuscripts. The first edition did not appear un…

Par MAHLER GUSTAV. Over the years, the need for a new edition of Mahler's Symphony No. 2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made i…

Par BARTOK BELA. Bartók?s Second String Quartet was composed ? with several long interruptions ? between 1915 and 1918, after he had spent several years almost solely devoted to collecting folk music. The melody and rhythms of the riotous middle movement ?Allegro, molto capriccioso? provide impressive testimony of how his research trips had taken him as far as North Africa. The first edition of th…

Kurfürstensonaten. Par BEETHOVEN LUDWIG VAN. Ludwig van Beethoven left us 35 piano sonatas actually. The three sonatas from his days in Bonn, published in 1783, do not have an opus number and therefore do not appear in the canon of 32 sonatas. However, these demanding early works are not to be underestimated. Their piano technique is challenging, particularly because of their differentiated articu…

Par PURCELL HENRY. This delightful string trio is straightforward technically, and will be fun to play for student and amateur alike. The ?Sonatas of III Parts by Henry Purcell? were first published in 1683. A facsimile of the first edition was published in 1975. This arrangement follows the facsimile faithfully, simply writing out the first violin and cello parts of the trio sonata, with the seco…

Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Mahler’s best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver’s model. It is therefore …