Facsimile of the autograph score in the British Library, London. Par HAENDEL GEORG FRIEDRICH. The first performance of George Frideric Handel’s oratorio “Messiah” on 13 April 1742 in Dublin aroused unqualified rapture. A newspaper report a few days later declared that it combined “the Sublime, the Grand, and the Tender”. Its success has remained undiminished ever since, and the “Messiah” has taken…

Facsimile of the autograph manuscript in the Staatsbibliothek zu Berlin - Preussischer KulturbesitzWith a Commentary by Christoph Wolff and Martina Rebmann Documenta musicologica II/5090 pages of facsimile and 28 pages of Commentary (Eng/Ger). The preludes and fugues of The Well-Tempered Clavier embrace an entire cosmos of compositional devices and musical characters. Here Bach not only presented …

Schumann's song cycle 'Frauenliebe und Leben?, on poems by Adelbert von Chamisso, deals with the trauma of a woman who loses the man who was her first love and the guiding light of her life. Schumann himself completed what is perhaps his most unified song cycle in blissful anticipation of his union with Clara Wieck.This new edition presents the work on the basis of the first print, using Schumann'…

Par SCHUMANN ROBERT. Robert Schumann once described his lieder as a ”mirror image of his self”. This applies particularly to his compositions from Heinrich Heine's 'Buch der Lieder”. What began as a lyrical intermezzo, then developed into 'Dichterliebe”, a work with which Schumann identified the ardour of his love for Clara Wieck. This work still presents an enigma to performers- how Schumann in…

Edité par Baroque savant Judith Schneider, avec doigté experts suggérés par Stuttgart Professeur Maria Sofianska, cette édition du second volume de chef-d'oeuvre essentielle de Bach contient 30 pages de recherches approfondies et un aperçu de la musique baroque. Soigneusement rapport avec les sources de manuscrit autographe le plus important et, cette édition complète comprend une analyse approfon…

Facsimile of Mozarts autograph score. Par MOZART WOLFGANG AMADEUS. Hrsg Dietrich Berke, Ulrich Konrad, David Packard, Wolfgang Rehm Und Christoph Wolff (Keine Auslieferung Nach U.S.A Und Kanada)/ Répertoire / Divers

Facsimile of Mozarts autograph score. Par MOZART WOLFGANG AMADEUS. Hrsg Dietrich Berke, Ulrich Konrad, David Packard, Wolfgang Rehm Und Christoph Wolff (Keine Auslieferung Nach U.S.A Und Kanada)/ Répertoire / Divers

Facsimile of Mozarts autograph score. Par MOZART WOLFGANG AMADEUS. Hrsg Dietrich Berke, Ulrich Konrad, David Packard, Wolfgang Rehm Und Christoph Wolff (Keine Auslieferung Nach U.S.A Und Kanada)/ Répertoire / Divers

Facsimile of Mozarts autograph score. Par MOZART WOLFGANG AMADEUS. Hrsg Dietrich Berke, Ulrich Konrad, David Packard, Wolfgang Rehm Und Christoph Wolff (Keine Auslieferung Nach U.S.A Und Kanada)/ Répertoire / Divers

Wv 445/6. Par WAGENSEIL GEORG CHRISTOPH. Die Quartette nehmen im kammermusikalischen Schaffen Wagenseils eine Sonderstellung ein. Die dritte Sonate ist im Autograph enthalten§ sie trägt den Titel “Suite de(s) pieces” und ist mit 1764 datiert. / Niveau : 4/3/3/2 / Répertoire / Musique de Chambre

Composed by Johann Sebastian Bach (1685-1750), edited by Ivan Galamian. Instrumental solo book for violin solo. With introductory text, bowings and fingerings. 108 pages. Published by International Music Co.

(Version for Piano Four-Hands). Composed by Edvard Grieg (1843-1907). Edited by Einar Steen-Nøkleberg and Ernst-Gunter Heinemann. Arranged by Edvard Grieg. For Piano Four Hands, Piano Duet (PIANO FOR 2 PLAYERS). Henle Music Folios. Softcover. G. Henle #HN1243. Published by G. He…

Composed by Felix Mendelssohn Bartholdy (1809-1847), edited by Rudolf Elvers. Collection for Piano (Harpsichord), 2-hands. With introductory text, performance notes and fingerings. Urtext edition-paper bound. 181 pages. Published by G. Henle.

Revised Edition. Composed by Franz Liszt (1811-1886). Edited by Ernst Herttrich and Marc-Andre Hamelin. Henle Music Folios. Softcover. 52 pages. G. Henle #HN559. Published by G. Henle (HL.51480559).

By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For cello and orchestra. This edition: Urtext. Solo part and piano reduction. Opus 104. Published by Baerenreiter Verlag

Performed by John Denver. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams and introductory text. Folk and soft rock. 256 pages. 9x12 inches. Published by Cherry Lane Music.…

Composed by Frank Martin (1890-1974). Edited by Antje Wissemann. For Double Choir a cappella. This edition: Urtext edition. Stapled. Choral score. Language: Latin, Text Language: German/English. 48 pages. Published by Baerenreiter Verlag

Versions 1913 and 1931. Composed by Sergei Rachmaninoff (1873-1943). Edited by Dominik Rahmer. Arranged by Marc-Andre Hamelin. Sheet Music. Paperbound. Henle Music Folios. Classical. Softcover. 80 pages. G. Henle #HN1256. Published by G. Henle (HL.51481256).

(Clarinet with Piano Reduction). Composed by Louis Spohr (1784-1859). Edited by Christoph Sobanski and Ulrich Scheideler. For Clarinet, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN995. Published by G. Henle

(Version for Viola Revised Edition). By Johannes Brahms (1833-1897). Edited by Egon Voss and Johannes Behr. For Viola (VIOLA WITH PIANO ACCOMPANIMENT). Henle Music Folios. Softcover. G. Henle #HN988. Published by G. Henle

Composed by Franz Schubert (1797-1828). Henle Study Scores. Classical. Softcover. 56 pages. G. Henle #HN9849. Published by G. Henle (HL.51489849).

(Set of Parts). By Franz Schubert (1797-1828). Edited by Egon Voss. Henle Music Folios. Book only. G. Henle Verlag #HN850. Published by G. Henle Verlag

with a Critical Commentary. By Frederic Chopin. Edited by Ewald Zimmermann. Piano (Harpsichord), 2-hands. Pages: 144. Urtext edition-paper bound. Published by G. Henle.

For Oboe and Piano Reduction. By Bohuslav Martinu. Arranged by Yann Ollivo. This edition: DF1584300. Editions Durand. 60 pages. Published by Editions Max Eschig.