Farewell to St. Petersburg. Par BRYARS GAVIN. This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bas…

for bass and piano. Par GERVASONI STEFANO. Langue: Deutsch / Niveau : Intermédiaire / Répertoire / Basse et Piano

In spring 1827 Schubert performed the first part of his best-known song cycle ' Winterreise ' for his friends for the first time. At this time he assumed that he had set all the texts belonging to the cycle to music. Only later did he come across the complete cycle of 24 songs in Müller's volume ' Gedichte aus den hinterlassenen Papieren eines reisenden Waldhornisten ' of 1824. As a result, he set…

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless bril…

Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey, written by Don Black and set to music by John Barry. This SSA arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment. / Choeur De Femmes (SS…

Small Sacred Concertos II. Par SCHUTZ HEINRICH. The 'Kleine geistliche Konzerte' (Small Sacred Concertos), published in two parts in 1636 and1639, are among the best-known and well-loved compositions of Heinrich Schütz. Both parts constitute a collection of vocal pieces in a broad range of styles written for only a few voices with basso continuo. Most of the texts are in German, but some are also …

Tiefe Stimme / Low Voice. Par SCHUBERT FRANZ. Alle Schubert-Lieder In Neuer Praktischer Ausgabe. Urtext Der Neuen Schubert-Ausgabe. Hrsg Walther Dürr/ Répertoire / Basses

Editée au début de l'année 2011, la partition ayant pour titre LIRICHE - ART SONGS: ARIE ANTICHE - VOLUME 3 (PARISOTTI) PER CANTO E PIANOFORTE est appréciée par tous les amateurs de Chant/Vocal/chOeur. A découvrir sans plus attendre!!! / Chant Et Piano / 92 pages / Partition + Cd

By Mack Wilberg (1955-). For SATB choir and organ/orchestra (2 flutes, 2 oboes, clarinet, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, 1 percussion (suspended cymbal, chimes), organ, strings). Mixed Voices. Sacred, Choral Leaflet. Vocal score. 12 pages. Duration 4…

(Favola in musica in un prologo e cinque atti). By Claudio Monteverdi (1567-1643). Edited by Rinaldo Alessandrini. For soprano voice solo (7), tenor voice solo (4), bass voice solo (3), SSATTB choir, TTBBB choir, orchestra (7 Solo Sopranos/4 Solo Tenors/3 Solo Basses/Mixed Choir:…

(Oratorio in three parts). By George Frideric Handel (1685-1759). Edited by John Tobin; Max Schneider. For soprano voice solo, 2 alto voice solos, tenor voice solo, bass voice solo, SSATB choir, 2 oboes, bassoon, 2 trumpets, timpani, strings, basso continuo. This edition: Paperba…

By Joseph M. Martin. For SAB choir and piano with optional orchestration and rhythm. The Joseph M. Martin Choral Series. General Worship, Praise and Worship, Thanksgiving and Gratitude, Sacred. Octavo. 12 pages. Published by Hope Publishing Company

(Ballade von Johann Wolfgang von Goethe). By Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Cooper. Arranged by Felix Bartholdy Mendelssohn. For alto voice solo/tenor voice solo/baritone voice solo/bass voice solo/SATB choir/2 flutes/piccolo/2 oboes/2 clarinets/2…

Compiled by Richard Walters. For baritone/bass voice and piano. Format: piano/vocal songbook. With vocal melody, piano accompaniment, lyrics and introductory text. Broadway and vocal standards. 288 pages. 9x12 inches. Published by Hal Leonard

By Jacques Berthier. For Voices: 2, 3 equal or mixed voices; SATB. Instruments: Flute, oboe, B trumpet, bass (instruments optional). Keyboard accompaniment. Latin and English refrain; English verses. Taize Community Sacred. Level: easy. 8 pages. Published by GIA Publications.

(nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). Arranged by Johannes Brahms. For Soli SB, SATB Choir, Piccolo, 2 Flute, 2 Oboe, 2 Clarinet, 2 Bassoon, 4 Horn, 2 Trumpet, 3 Trombone, Tuba, 3 Timpani, Harp, 2 Violin, Viola, Cello, Contrabass, [Organ]. This editi…

ARIAS from OPERAS. By Wolfgang Amadeus Mozart. Voice and piano. Published by International Music Co.

From Gloriana. By Benjamin Britten. (Vocal Score). Boosey and Hawkes Large Choral. 18 pages. Published by Boosey and Hawkes.

ARIAS from OPERAS. By Wolfgang Amadeus Mozart. Voice and piano. Published by International Music Co.

ARIAS from OPERAS. By Wolfgang Amadeus Mozart. Voice and piano. Published by International Music Co.

(A Fun and Comprehensive Overview of Latin Guitar Playing). By Doug Munro. For Guitar. Book; CD; Guitar Method or Supplement; Method/Instruction. The Total Guitarist. Jazz. 128 pages

By William Byrd. For Alto, Tenor, Bass. Choral, Sacred, Renaissance. Sheet Music. 32 pages. Published by Chester Music.

Choral Score. By Benjamin Britten. (SATB). Boosey and Hawkes Large Choral. Size 7x10.5 inches. 34 pages. Published by Boosey and Hawkes.