Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Thomas Christian Schmidt. For soprano voice solo, SATB choir, 2 violins, viola, cello/contrabass. Stuttgart Urtext Edition. German title: Wer nur den lieben Gott lasst. Cantatas. Level 3. Complete o…

(Fingal's Cave). Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Anna Cooper. For oboe trio: 2 oboe, english horn. Mallard Music series. Grade 9. Score and parts. Duration 4'00. Published by Wonderful Winds

(Movement 1). Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Kirk Moss. Orchestra. Masterworks; Score; SmartMusic; String Orchestra. Belwin Concert String Orchestra. Masterwork Arrangement; Romantic. Grade 4.5. 16 pages. Published by Belwin Music

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Alexander Wilhelm Gottschalg. For organ or harmonium. Published by Noten Roehr

Composed by Felix Bartholdy Mendelssohn (1809-1847). This edition: Paperbound. German title: Kyrie in d+Herr Gott + Tu es Petrus. Study score. Composed 1843. Published by Carus Verlag

(for two Clarinets and Windensemble). Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Roger Niese. For 2 Clarinets and Concert Band. Grade 4. Full score. Duration 9:00. Published by Baton Music

(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). For baritone voice solo, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass. This edition: Paperbound. German title: Ach Gott, vom Himmel sieh darei…

(From A Midsummer Night's Dream). Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Willem Steijn. For concert band. Arrangements of Classical Compositions/Festive Marches/ Wedding/Birthday. Classic Arrangement. Recorded on New Compositions for Concertband 4 (ML.31…

(From A Midsummer Night's Dream). Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Willem Steijn. For concert band. Arrangements of Classical Compositions/Festive Marches/ Wedding/Birthday. Classic Arrangement. Recorded on New Compositions for Concertband 4 (ML.31…

(wind set). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Christian Martin Schmidt. For orchestra. This edition: urtext. Orchester-Bibliothek (Orchestral Library). Individual part. 36 pages. Published by Breitkopf and Haertel

(score). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Hans Christian Schmidt. For orchestra. This edition: urtext. Partitur-Bibliothek (Score Library). Score. 68 pages. Published by Breitkopf and Haertel

Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by David Werden. For euphonium solo with piano. Solo music. Grade 3. Published by Cimarron Music Press

Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Lloyd Alvin Pfautsch. For SATB choir choir. Sacred, Classics, Masterwork, Mercy, General. Octavo. Published by Hope Publishing Company

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Nichols. Arranged by Simon Fischer. For violin and piano. This edition: Urtext. Composed 1830. Edition Peters #EP72426. Published by Edition Peters

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Cooper. For orchestra (2 flutes/2 oboes/2 clarinets/2 bassoons/4 horns/2 trumpets/3 trombones/timpani). This edition: Urtext edition. Stapled. Set of winds. Opus 42. 7/7/7/6/7/7/7/7/5/5/5/5/3/3/3/3/3/3 pa…

Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by E. Bach. For brass quintet. Chamber. Difficulty: Medium. Score and parts. Published by C. Alan Publications