Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Eric Vireton. Oboe Solo and Piano Accompaniment. For Oboe solo and Piano. Classical, Educational. Grade 4. Score and set of parts. 5 pages (score); 1 pages (parts). Published by FLEX Editions

(From Songs Without Words, Op. 19, No. 1). By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Jascha Heifetz. For Violin, Piano. The Jascha Heifetz Series. Standard notation. 8 pages. Published by Carl Fischer

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Gunter Graulich. For Soli STTBB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. Stuttgart Urtext editions. Score available separat…

(Dance of the Clowns). By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Christina Hans. Orchestra. Part(s); Score; String Orchestra. Belwin Intermediate String Orchestra. Masterwork Arrangement; Romantic. Grade 2.5. 72 pages. Published by Belwin Publishing

By Felix Bartholdy Mendelssohn (1809-1847). For soprano voice and piano reduction. Orchestral music. Piano reduction. Language: German/Italian. Published by Noten Roehr

(eingerichtet fur acht Violoncelli). By Felix Bartholdy Mendelssohn (1809-1847). For 8 Cellos. 'cello by Birtel Vol. 14. Classical. Score and Parts. 7 pages (part); 8 x 1 pages (score). Published by Verlag Dohr

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Robert Frost. For string orchestra (88555). Standard string orchestra (88555). Concert String Orchestra Series. Grade 4. Score and parts. Duration 5:10. Published by Kendor Music Inc

(violin 1). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Thomas Schmidt-Beste. For 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 trumpets, timpani, strings. This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Individual part. 16 pages. Published by Breitkopf…

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by John Wilcox. For clarinet, bassoon (clarinet 2/bass clarinet/basset horn), violin, viola, cello and double bass. Winds and Strings. Companion to Beethoven Septet, letting the horn rest. Excellent encore piece. Classical. Sco…

(Sing to the Lord a newmade song). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SATB, SATB/SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ, Harp. Stuttga…

(O! Come let us worship and kneel before the Lord). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SST, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. Th…

By Felix Bartholdy Mendelssohn (1809-1847). For Tenor voice. Choral learning aid. SingleParts with StudySpots. Classical; Choral. Novice to semi professional. 2 Choral Practice CDs. Duration 02:23:21. Published by Rehearsal Arts, LLC

By Felix Bartholdy Mendelssohn (1809-1847). For flute and guitar. Classical. Score. 16 5 pages. Published by Editions Henry Lemoine

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Dimitri Kristolos. For SATB choir. Medium Difficullt. Octavo. Duration 3:10. Published by Jackman Music Corporation

(wind set). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Michael Marker. For Mixed Choir, Solo Parts, Orchestra. This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Wind set. 260 pages. Published by Breitkopf and Haertel

(contrabass). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Michael Marker. For Mixed Choir, Solo Parts, Orchestra (contrabass). This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Individual part. 44 pages. Published by Breitkopf and Haertel

(Cello 1). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Michael Marker. For Mixed Choir, Solo Parts, Orchestra (violoncello). This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Individual part. 52 pages. Published by Breitkopf and Haertel

(Viola 1). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Michael Marker. For Mixed Choir, Solo Parts, Orchestra (viola). This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Individual part. 52 pages. Published by Breitkopf and Haertel

(violin 2). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Michael Marker. For Mixed Choir, Solo Parts, Orchestra (violin 2). This edition: Urtext. Orchester-Bibliothek (Orchestral Library). Individual part. 52 pages. Published by Breitkopf and Haertel