Gabriel Jackson's O Quam Gloriosum for SATB and Organ. Written for the 20th Anniversary of Norwich Cathedral Girls' Choir this setting of the well-known All Saints Day text juxtaposes flowing melodic lines in the sopranos with rich homophonic passages each bringing the text to the fore. The Organ plays a prominent role providing gentle undulating accompaniment as well as fanfare-like exclamati…

Composed by Gabriel Jackson for his mother's 60th birthday.

Commissioned by King's College Cambridge for the 2009 Festival of Nine Lessons and Carols this beautiful carol sets a well-loved text by G. K. Chesterton. With Jackson's trademark luscious harmonies alongside gentle changes in metre and mode this piece would make an ideal introduction to Jackson's music for mixed choirs.

Spring Rounds is a significant work that is rich in variety and orchestral colours. Jackson has selected texts by a multiplicity of authors from the seventeenth-century poet Thomas Carew to contemporary writer Billy Collins to create a profound and interesting reflection on the titular season.

For SSATB (with divisions) unaccompanied. This setting of a poem by William Blake is evocative and appealing. Jackson ingeniously offsets simple pure harmonies against moments of chromaticism to create beautiful fresh music which perfectly captures the essence of the words.New Horizons showcases the wealth of exciting innovative and occasionally challenging choral music being written today. It…

Setting Joseph Addison's text Jackson explores the use of vivid imagery the poem provides through this dramatic medium. Rather than using the full forces of choir brass and organ throughout the piece proceeds through varied antiphonal groupings accompanying typically imaginative choral writing.

Commissioned by The Maryland State Boychoir in 2017 this striking Christmas piece sets a famous text by Ben Jonson. Jackson's attractive and largely diatonic harmonies combine with vivid word-setting deft manipulations of texture and a colourful organ part to create a mood of gentle rapture with a central section that explores more conflicted atmospheres.

Jackson's Holy Is The True Light sets a text translated from the Salisbury Diurnal that emphasizes the solace of faith in times of conflict. The fluid changes in time and key signatures and effective division of voices create a strong musical impression of serenity and strength.

Setting Joseph Addison's text Jackson explores the use of vivid imagery the poem provides through this dramatic medium. Rather than using the full forces of choir brass and organ throughout the piece proceeds through varied antiphonal groupings accompanying typically imaginative choral writing.

In this spacious motet Jackson creates an original sound-world in praise of the Virgin Mary. Traditional Latin texts are combined with a Christina Rossetti poem celebrating the Annunciation.