| Das klagende Lied (MAHLER GUSTAV) Solistes, Chœur Mixte SATB et Orchestre [Conducteur] Universal Edition
Urfassung 1880 in 3 Sätzen. Par MAHLER GUSTAV. Das Klagende Lied is based on poems written by the composer and was completed in 1880. It originally consisted of three movements which bore the following titles: Waldmärchen (A Tale from the Woods), Der Spielmann (The Minstrel), and Hochzeitsstück (Wedding Piece). The composer subjected the score to several revisions and eventually arrived at a versi…
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| Laude Cortonese Vol. 3 (BRYARS GAVIN) Voix et Instruments [Conducteur] Schott
for voices and instruments. Par BRYARS GAVIN. Laude were short mediaeval devotional songs to the Virgin Mary, and Gavin Bryars has kept to the pure, lyrical style of the originals. Following the successful publication of Bryars’ first and second volume of laude, which singers around the world have added to their repertoire, this third volume for various combinations of soprano, tenor, viola, cello…
35.70 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur |
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| Laude Cortonese Vol. 3 (BRYARS GAVIN) Voix et Instruments Schott
for voices and instruments. Par BRYARS GAVIN. Laude were short mediaeval devotional songs to the Virgin Mary, and Gavin Bryars has kept to the pure, lyrical style of the originals. Following the successful publication of Bryars’ first and second volume of laude, which singers around the world have added to their repertoire, this third volume for various combinations of soprano, tenor, viola, cello…
54.50 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur |
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| The Professional Pianist-Classical Solos Piano seul Alfred Publishing
This edition provides a valuable resource of accessiblemasterworks for busy pianists. It contains 40 piano piecesin their original form appropriate for weddings, funerals,receptions, and other events. To make the selectionsuseful as background music, only short pieces havebeen included and flashy, concert-like pieces have beenavoided. Each piece has been carefully engraved for easyreading, and app…
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| Vespro Della Beata Vergine 'Marienvesper' (MONTEVERDI CLAUDIO) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
2 Solo Sopranos, 2 Solo Altos, 3 Solo Tenors, 2 Solo Basses, Mixed Choir and Orchestra. Par MONTEVERDI CLAUDIO. Scholarly-critical Urtext edition orientated towards performance practice. Detailed critical commentary (Eng) in the full score. Movements 10, 13 and 14 are included in their original high clef in the appendix of the full score. These movements are also available with Piano reduction as …
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| The Joy Of Ravel Piano seul Amsco Wise Publications
This collection of sheet music by the great French composer Maurice Ravel features 19 of his greatest pieces, all newly-arranged especially for this volume. The subtle melodies and achingly beautiful harmonies of these lush Impressionist pieces truly do illustrate the sheer Joy Of Ravel.The pieces by Ravel included in this collection rank alongside Debussy as some of the prettiest Piano music ever…
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| Concerto Pour Piano Et Instruments A` Vent 2 Pianos, 4 mains Simrock
The Concerto for piano and wind instruments, created in the last stage of the life of Antonio Ruiz-Pipó (1934-1997), certainly is one of his most outstanding compositions. Expressive, yet at the same time characterized by great precision and economy of means, the work is written in the tradition of Manuel de Falla. Pianist and ensemble, especially the woodwind players, are equally faced with techn…
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| 14 Motetten (BRUCKNER ANTON / DOSS THOMAS (Arr) Orchestre d'harmonie [Conducteur] Oktavian Music
Anton Bruckner (18241896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colou…
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| Polish Requiem (PENDERECKI KRZYSZTOF) 4 Solistes [SATB], 2 Chœurs Mixtes [SATB/SATB] et [Conducteur d'étude / Miniature] Schott
for 4 Soloists (SATB), 2 Mixed Choirs (SATB/SATB) and Orchestra. Par PENDERECKI KRZYSZTOF. After its world premiere in 1984, Polish Requiem is one of the most frequently played works of the composer worldwide. Apart from the Latin requiem text, Penderecki also set Polish texts to music. The study score now makes the piece accessible to music lovers as well./ Répertoire / 4 Solistes [SATB], 2 Chœur…
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| A Portfolio of Cello Exercises Part 1 (BUNTING CHRISTOPHER) Violoncelle [Partition] SJ Music
Par BUNTING CHRISTOPHER. Warming up and keeping one?s basic technique in peak condition (or working to get to peak condition) is fundamentally important, yet many cellists do not have routine exercises to follow. This book, the first of a two volume set, which complements book 2, provides the exercises that every cellist needs, for both the left and right hands: daily bowing practice; left hand wo…
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| Circle Of Life Chorale SATB [Partition] Schirmer
This cycle of three psalms captures key ritual moments in the Jewish life cycle. Birth, marriage and death are the powerful milestones that frame our existence. Composed by Bruce L. Ruben, Director of the Debbie Friedman School of Sacred Music at Hebrew Union College and arranged by Broadway composer and arranger Larry Hochman, this setting of the Psalms for SATB choir, solo, piano, clarinet, viol…
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| Violinsonate G-Dur Violon et Piano G. Henle
Inspired by Béla Bartók's violin sonatas, Ravel planned his own sonata for violin and piano in 1922, but at first did not get beyond sketches. Many interruptions ensued and the work was only finished in 1927. He dedicated it to his violinist friend Hélène Jourdan-Morhange. Regarding the sonata's sparse, thinned out compositional structure and instrumentation, Ravel later emphasized that the sonata…
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| Siehe, Nach Trost War Mir Sehr Bange (SCHEIN JOHANN HERMANN) Choeur SSATB et Basse Continue [Partition] Carus Verlag
Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian…
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| Ist Nicht Ephraim Mein Teurer Sohn (SCHEIN JOHANN HERMANN) Chorale SSATB [Partition] Carus Verlag
Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian…
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| Traite D'Harmonie Theorique Et Pratique - Version Italienne (DUBOIS THEODORE) Formation musicale - Solfège [Partition] Heugel
Par DUBOIS THEODORE. At just 34 years of age, Theodore Dubois was installed as a professor of harmony at the Paris Conservatoire. Whilst much of his compositional works have disappeared from primary classical repertoire, his teaching has had a lasting influence. Having taught successful composers, including Paul Dukas, it is clear that Dubois'' Treaty of Harmony is well-informed. This music theory…
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| Petite Messe Solennelle Chorus Score (ROSSINI GIOACHINO) Chorale SATB [Partition] Novello & Co Ltd.
Par ROSSINI GIOACHINO. Gioachino Rossini (1792-1868) referred to his Petite Messe Solennelle as the 'last moral sin of my old age'. Written in 1863 for the Countess Louise Pillet-Will and first performed on 14th March 1864 at the consecration of the Countess' private chapel, the Mass is one of Rossini's finest achievements and the outstanding work of his 'retirement'. This is the chorus score ONLY…
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| Jakob Lenz (RIHM WOLFGANG) Piano, Voix Universal Edition
Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera.” On the same scale as chamber music is to the symphony, it is rather the other way of talking onstage. The movable apparatus permits sophisticated voice-leading. A large ensemble demands simple conception to achieve the complexity it perhaps intends; this can be formulated more sharply and nuanced in a chamber ensemble…
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