Par WOOTEN VICTOR. Highly regarded as a bass innovator, Victor Wooten has made a name for himself laying down the low-end for both Béla Fleck and during his guest stints with the Dave Matthews Band, and in his own successful solo career. The Best of Victor Wooten features his playing on 14 great tunes, which Wooten transcribed himself! This deluxe songbook includes note-for-note transcriptions of:…

Par HESKETH KENNETH. Le théâtre Gilded a été commandé par l'Orchestre National de vent sur les jeunes of Great Britain, à l'occasion de son quarantième anniversaire. Ils ont donné le premier spectacle, 10 août 2008, du St. John Smith Square, London, menée par James Gourlay. Le théâtre Gilded peut, à certains égards, être vu comme une continuation de formes dramatiques présentées dans un morceau pr…

Par VALLA RAY. In this book, Ray Valla shares the insights of a veteran bluegrass mandolinist. This method would best be appreciated by a student with some previous musical experience, as fundamentals of note-reading on the mandolin are not addressed. This is, however, the ideal book for the intermediate to advanced player. It is filled with practical hints to improve your general musicianship and…

Played during the end credits to Peter Jackson's epic film adaptation of J.R.R. Tolkien's book, The Hobbit , The Song Of The Lonely Mountain is a ballad with atmosphere to match the film. This official sheet music for the song has been expertly arranged for Piano and Voice with Guitar chord boxes. Composed on a dwarven theme by Australian Folk artist, Neil Finn, The Song Of The Lonely Mountain bui…

Arranged for Flute (TWV 40: 26-37). Par TELEMANN GEORG PHILIPP. Georg Philipp Telemann composed thirty-six fantasias for solo instrument: twelve each for traverse flute, violin, and viola da gamba. While those for flute and violin belong to Telemann?s most popular works today, the fantasias for viola da gamba were unknown throughout much of recent history until a copy of these fantasias was redisc…

Couverture Rigide. Par MARTINU BOHUSLAV. Replaces H 277 The two concertos contained in this volume represent two different stylistic periods within Martinu's work. The 'Concerto da Camera” (1941) is the last of his works inspired by the Baroque concerto grosso. The 'Rhapsody-Concerto”, composed eleven years later (1952), was the first work of his so-called 'fantasia period”, marked by a more open …

Par POTIN DA SILVA. / Solfège/Formation Musicale / Rythme