Wir küssen Ihnen tausendmal die Hände was commissioned by the Los Angeles Chamber Orchestra as one of four chamber pieces to commemorate the 200th anniversary of the death of Mozart (the others being by DonaldCrockett Rand Steiger and Libby Larsen). It has something of the character of a musical letter to Mozart taking its title from the closing salutation that most often appears in his own letters to his father (“We kiss yourhands a thousand times”). Mozart's “Kegelstett” Trio K.498 for clarinet viola and fortepiano had been my original starting point in thinking about this piece but as it began to take shape in its ratherepistolary stream-of-consciousness fashion I felt the need for more instruments. The ultimate result is essentially a trio for clarinet horn and fortepiano -- arguably Mozart's three favorite solo instruments -- with theaccompaniment of a muted string trio.
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