PrefaceThe three movements of the quartet may be perceived as three different expressions of an unstable core: an inherent unrest leads to frequent changes of direction. The first movement is full of dramatic contrasts; it is followed by a second movement whose basic mood of meditative rest is challenged by occasional centrifugal utbursts while the third movement takes the inherent conflicts to a higher level contrasting material of introspective lyricism with excessively pathetic moods.The final ?way out? is a retrograde one (back) ?into the source?: through a constant accelerando-diminuendo the piece disappears into a vanishing point. The ?into thesource? of the title may be visualized as a reversed fountain-action: the broad fan-like spread of the first movement a more coherent-solid second movement and finally - in the third movement - a return-run ever more vehemently like a suction into the spring itself ?The musical motifs are varied; there are traffic-situations (which I heard!) with stomping and machine-like rhythms in different but simultaneous tempi and there are more abstract upwards and downwards half-tone-scales with changing accents creating glimpses of melodies.INTO THE SOURCE String Quartet No. 9 was composed on a double-commission from the Orion Quartet and the Vertavo Quartet. The premiere performances took places in Santa Fé in 2002 and in Oslo in 2003.Per Nørgård
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