Although this composition sounds like it came straight out of the Baroque period it is actually the first movement of a suite written in 1996 by Karl Jenkins. Instantly recognized as the 'diamond commercial' theme its relentless pulse and dramatic nature make it a natural for bands. Robert Longfield's skilled arrangement puts it within reach of most groups.score and parts - 4 Flute I 4 Flute II 2 Oboe 4 Bb Clarinet I 4 Bb Clarinet II 4 Bb Clarinet III 2 Bb Bass Clarinet 2 Bassoon 2 Eb Alto Saxophone I 2 Eb Alto Saxophone II 2 Bb Tenor Saxophone 2 Eb Baritone Saxophone 2 F Horn I 2 F Horn II 3 Bb Trumpet I 3 Bb Trumpet II 3 Bb Trumpet III 3 Trombone I 3 Trombone II 2 Baritone B.C. 2 Baritone T.C. 4 Tuba I String Bass I Timpani 2 Percussion I 2 Percussion II - wind/concert band
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Version française
(EUROPEAN COMPANY) 
