Trumpet Voluntary formerly attributed to Henry Purcell by Jeremiah Clarke Cornet - Sheet Music

Name: Trumpet Voluntary
Brand: Carl Fischer
SKU: 3558231
Price: 8.99 USD
Availability: InStock

By Jeremiah Clarke

Usually leaves our warehouse:
1 to 2 weeks

Price: $8.99

Quantity

{ "catalogRefId":"3558231", "productId":"prod3558231" } Add to Cart { "catalogRefId":"3558231", "productId":"prod3558231" }

Details

Instrument:

Cornet B-Flat Trumpet

Genres:

Baroque Period Wedding

Composers:

Jeremiah Clarke

Artist:

Jeremiah Clarke

Format:

Set of Parts Score and Parts

Item types:

Physical

Usages:

School and Community

Detailed Description

Chamber Music Cornet in Bb, Trumpet in Bb

SKU: CF.W2461

Formerly attributed to Henry Purcell. Composed by Jeremiah Clarke. Arranged by Merle Isaac Clifford Lillya. Fold. Classical. Score and parts. With Standard notation. 8 pages. Carl Fischer Music #W2461. Published by Carl Fischer Music (CF.W2461).

ISBN 9780825810176. UPC: 798408010171. 9 x 12 inches. Key: C major.

Although the melody offered here has been known as Purcell's TRUMPET VOLUNTARY< musicologists now tell us that it was really composed by Jeremiah Clarke. Jeremiah Clarke was a contemporary of Purcell's, and is said to have originally issued the piece under the title, THE PRICE OF DENMARK'S MARCH. Some authorities feel that all trills in music of this era should be started on the upper note, but performance practice among reputable players reveals a divergence of procedure. To this end some will wish to begin the trills on the upper note, and some on the lower; the final decision will be made by the player according to his skill, experience, and musical taste.
Although the melody offered here has been known as Purcell's TRUMPET VOLUNTARY< musicologists now tell us that it was really composed by Jeremiah Clarke. Jeremiah Clarke was a contemporary of Purcell's, and is said to have originally issued the piece under the title, THE PRICE OF DENMARK'S MARCH.Some authorities feel that all trills in music of this era should be started on the upper note, but performance practice among reputable players reveals a divergence of procedure. To this end some will wish to begin the trills on the upper note, and some on the lower; the final decision will be made by the player according to his skill, experience, and musical taste.